An Immodest Proposal for Biblical Studies |
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James G. Crossley |
153-77 |
Graven Images: Religion in Comic Books and Graphic Novels, edited by A. David Lewis and Christine Hoff Kraemer |
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S. Brent Plate |
181-84 |
Religion and Film: Cinema and the Re-Creation of the World, by S. Brent Plate |
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Daniel S. Cutrara |
185-89 |
Writing as Enlightenment: Buddhist American Literature into the Twenty-first Century, edited by John Whalen-Bridge and Gary Storhoff |
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Michel Clasquin-Johnson |
189-91 |
The Cultural Practices of Modern Chinese Buddhism: Attuning the Dharma, by Francesca Tarocco |
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Tenzin Mullin |
191-95 |
Islam Translated: Literature, Conversion and the Arabic Cosmopolis of South and Southeast Asia, by Ronit Ricci |
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Susan Schomburg |
195-201 |
Abraham "notre père", by Walter Vogels |
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William Shepard |
202-5 |
The Invention of Jewish Identity: Bible, Philosophy, and the Art of Translation, by Aaron W. Hughes |
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Christina Petterson |
205-7 |
The Making of the Modern Jewish Bible: How Scholars in Germany, Israel, and America Transformed an Ancient Text, by Alan T. Levenson |
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Laura Elizabeth Quick |
208-12 |
Love, Lust, and Lunacy: The Stories of Saul and David in Music, by Helen Leneman |
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Karen Langton |
212-16 |
Sex Working and the Bible, by Avaren Ipsen |
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Catherine Healy |
216-18 |
The African Memory of Mark: Reassessing Early Church Tradition, by Thomas C. Oden |
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Michael Kok |
218-22 |
The Apostle Paul in the Jewish Imagination: A Study in Modern Jewish-Christian Relations, by Daniel R. Langton |
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Emmanuel Nathan |
222-29 |
Roman Catholicism in Fantastic Film: Essays on Belief, Spectacle, Ritual and Imagery, edited by Regina Hansen |
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Anton Karl Kozlovic |
229-34 |
2012: Decoding the Countercultural Apocalypse, edited by Joseph Gelfer |
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Ioannis Gaitanidis |
234-43 |